The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands. Mary Lou Williams (19101981) was the first woman in jazz history to compose and arrange for a large jazz band. the jukebox The popular appeal of Benny Goodman's Trio and Quartet had a good deal to do with the extroverted energy of Lionel Hampton and Gene Krupa This exact format is employed today by the many high school and college jazz ensembles around the country as well as overseas. Along this historical journey, jazz has been NY: Penguin Books:1977. The International Sweethearts of Rhythm became known for its strong riffing brass section, heavy percussion, rhythmic sensibility, and dynamic blues playing heard in Jump Children.. $27.95. In swing, the saxophone was usually featured as the leading instrumental soloist. They had the Blue Devils. The most prominent features of big band swing were the use of written arrangements and improvised solos, repetitive horn riffs, call and response between the brass and reed sections, and a rhythmic drive derived from walking and/or boogie-woogie type bass lines. The 1930's brought a new style of jazz "big band swing". All Jazz styles have two common features: - The Double Bass is shaped like other string instruments such as the guitar or violin. rapidly with both black and white audiences. Swing was massively popular during the 1930s, so popular, in fact, that it was the pop music of its time. DoZjyk]Z^0])*6`pje?NG.s#n1[Mgv,3/W5k'(?_pq,JZ7jaF:m(YTm7RhoQ>luNRjY%- I)
These bands had identifiable leaders, such as Glenn Miller and the Dorsey brothers, who placed their individual stamps on their musical arrangements. listeners to love jazz.. This was in part due to a political organization called the Pendergast Machine which encouraged a nightclub atmosphere. grooves, click Latin-based rock idiom). ensemble intimate style of Dixieland jazz into a harder-edged full band sound. How relevant do you believe the poem is today? Fitzgerald recorded several standards that became hit songs. Trumpet image courtesy: PJ via Wikimedia Commons, Saxophone image courtesy: via Wikimedia Commons, Keyboard image courtesy: Eurotuber via Wikimedia Commons, Double Bass image courtesy: David Price via Wikimedia Commons, Drum set image courtesy: Pbroks13 via Wikimedia Commons, Gumbo image courtesy: Amadscientist via Wikimedia Commons, For more than 10 years, The Classic Swing Band of Dallas has offered the best in live entertainment. The term "big band" is also used to describe a genre of music, although this was not the . Jazz played an important role in changing the socio-political landscape A drummer, bass player (string bass), piano player, and guitarist formed the rhythm section. Some bands were "society bands" which relied on strong ensembles but little on soloists or vocalists, such as the bands of Guy Lombardo and Paul Whiteman. [26], Typical big band arrangements from the swing era were written in strophic form with the same phrase and chord structure repeated several times. Bridging the gap to white audiences in the mid-1930s was the Casa Loma Orchestra and Benny Goodman's early band. In the late 1940s, progressive The Timeline of African American Music has been made possible in part by a major grant from theNational Endowment for the Humanities: Democracy demands wisdom. This approach was then further expanded upon by Bebop, which largely abandoned the original melody of the song to create brand new melodies based on an established chord progression this was known as a contrafact. :vQxc!#\JK?1UshqkF~[!eO W,{(HBjkps~'O;5lR. Big band swing was at the forefront of jazz and underwent its most concentrated growth and development from 1930 . And this is where the term head comes from, meaning the original melody of the song that is, its all in your head, not written down on paper. In the 1960s, Gunther SCHULLER developed a style known as "Third more traditional instruments such as horn, cello, flute and oboe. here to see a YouTube video on "swing" groove vs. other types of In a big band jazz group, at least three trumpets, two trombones, four or more saxophones, and a rhythm section of piano, guitar, bass, and drums are combined with a vocal element. Big bands started as accompaniment for dancing. Sometimes bandstands were too small, public address systems inadequate, pianos out of tune. HWYo8~G ("b+[:r$%_r8oFdnIt]5pu\Kr|z~+au/I8vTm3}` e Figure 2: Trumpeter Wynton Marsalis Jazz Appreciation ICQ (In-Class Quiz) #6 Hearing The Difference: Bebop and Swing - know the three major aural differences between these two eras The Swing Era: The Players and The Features - know names of artists; lists of features-Societal features Jazz's most popular eradominated the mainstream of American popular music Purpose of music primarily for dancing Millions of records sold . an improvisation: melody, harmony, and form. Some of the Piano techniques employed during the Swing Era were: A good example of this is the Count Basie song Kansas City Keys. highly improvisatory style called Bebop, of American jazz. He would conduct his band from his drum set. Arrangers notated specific notes for each instrument to play in every measure on a written score. White teenagers and young adults were the principal fans of the big bands in the late 1930s and early 1940s. YouTube clip with basic piano chords, click here to see a YouTube Fletcher Henderson, Duke Ellington, and Jimmie Lunceford each led orchestras that achieved international standing. Only hotel-type bands such as that of Guy Lombardo and select jazz players such as Benny Goodman found consistent employment. You KC Jazz marked the transition from the heavily structured, arranged and written out Big Band style of Swing to the more fluid and improvisation style of Bebop. Boogie-woogie is characterized by its well-known He was also a band leader and arranger who traveled throughout Europe and Japan during the 1950s and 1960s. They had Count Basie, they had Benny Moten, they had George Lee, they had Junior Lee, they had Lester Young, they had Walter Brown., What I heard in that first nine-piece Basie band was the sort of free, swinging jazz that I have always preferred. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. His music was a combination of solo and ensemble playing. The 194244 musicians' strike worsened the situation. Casa Loma Stomp marked the first recording of this emerging style in 1930. Glenn Miller used a clarinet over his saxophone for identification. In 1925, bandleader Paul Whiteman The moral? They used their voices as instruments to demonstrate their command of scat singing. Benny GOODMAN (1909-1986): Sing, Sing, Sing! clarinetist, In the late 1940s, progressive [3] In the 1940s, Stan Kenton's band used up to five trumpets, five trombones (three tenor and two bass trombones), five saxophones (two alto saxophones, two tenor saxophones, one baritone saxophone), and a rhythm section. For this reason the pianists left hand generally just played chords on the beat; while his right hand built rhythmic patterns around chords and chord tone, and especially guide tone often just playing arpeggios or simple bluesy licks. "It Don't Mean a Thing (If It Ain't Got That Swing)" - Duke Ellington & Ella Fitzgerald, It Dont Mean a Thing (If It Aint Got That Swing),, Kansas City was the swingingest sound in the world. They danced to recordings and the radio and attended live concerts. A versatile instrument, the saxophone is swing musics version of the Holy Trinity (celery, bell peppers and onions) used in Gumbo. In Kansas City, Bennie Motens and Count Basies bands had begun developing a looser type of big band arrangement that allowed for freer styles of soloing, giving rise to a unique Kansas City swing style in the 1930s. Led by an African American woman, this 16-member band gained notoriety across the United States and in Europe, despite the challenge of imposed racial and gender restrictions. on the chart below to go to that interactive webpage). Fueled by the non-stop nightlife under political boss Tom Pendergast, Kansas City jam sessions went on well beyond sunrise, fostering a highly competitive atmosphere and a unique music culture, attracting many bands from the Southwest known as territory bands, such as Bennie Motens orchestra and the Oklahoma City Blue Devils. His efforts helped make it possible for jazz musicians to earn a decent wage. (1937). Gloria Parker had a radio program on which she conducted the largest all-girl orchestra led by a female. Swing grew out of New Orleans Jazz and the evolved into Bebop. By the 1930s, these and other cities became major centers for the development of the swing style. Which white swing clarinetist and bandleader, who spent as much of his early career as he could in Harlem, once said, "I was actually leading the life of a Negro musician"? Miller went in debt to start his band but was a millionaire within two years. performers such Louis ARMSTRONG completed the transition from The Ellington orchestra succeeded in part through the expert use and contribution of consistently talented and unique players. Beacon, 2002. Very important to the development of the Swing Bands were the role of the composer/arranger and the excellent stylizations of musicians. orchestral jazz crossover movement that had an enormous impact on getting white Here are the five most common swing band instruments, and how they commonly fit into swing music. The trumpet section included four trumpets; the first was responsible for the highest notes. BASIE popularized "pure" jazz through a "Big Band" Guiding Principals. Another interesting and important development happened with Swing improvisation. Charlie PARKER and Dizzy a hint of improvisationthe scores are completely written out Progressive bands were led by Dizzy Gillespie, Gil Evans, Carla Bley, Toshiko Akiyoshi and Lew Tabackin, Don Ellis, and Anthony Braxton. Rhythm Section: (click here to see a YouTube Performers played, sang, danced, and presented shows and stand-up comedy in these large entertainment venues. The invention of ______ helped the record industry to recover in the mid-1930s. (of the Dave Brubeck Quartet that also featured alto saxophonist Paul DESMOND), www.bigfishaudio.com. ARMSTRONG took "Hot" Jazz to Chicago, where its popularity grew trombonist Glenn MILLER incorporated However, its so large that its most often placed upright next to the bassist when its being played. All the big bands would go up there. Swing music was performed by a larger ensemble consisting of saxophones (sometimes also clarinets), trumpets, and trombones. . The Dorsey Brothers started with a large-band version of Dixieland featuring singer Bob Crosby who later developed his own band. II. She led her Swingphony while playing marimba. The focus shifted away from the arranger and toward the improvising performer. "call" and a group does some type of "response"), (2) it sprouted up in different parts of the United States, and their uniquely Goodmans clarinet playing was a combination of great wit, precise musicianship, beautiful subtleties, and never-ending swing. George GERSHWIN (1898-1937): Rhapsody The saxophone section included two alto saxophones, two tenor saxophones, and one baritone saxophone. Other renowned vocalists are blues singers Jimmy Rushing with You Can Depend on Me and Joe Williamss Roll Em Pete, featured with the Count Basie Orchestra, whose repertoire included ballads, jazz and pop standards. Her version of the nursery rhyme A-Tisket, A-Tasket (1938) brought her international fame. BERNSTEIN also incorporated Cool Armstrong (nicknamed Figure 3: WMU's "Gold In swing, the saxophone was usually featured as the leading instrumental soloist. interacts with the bass and drums, and how the beat is divided up in complex The project is also supported in part by a grant from the National Endowment for the Arts. Swing music ruled the airwaves and the dance floors throughout the 1930s to the mid-40s, and the artists that led swing bands became internationally beloved celebrities. is exactly what the jazz musician does to keep track of the blues formone intricate fast rhythms and tremendous Big bands maintained a presence on American television, particularly through the late-night talk show, which has historically used big bands as house accompaniment. The popularity of many of the major bands was amplified by star vocalists, such as Frank Sinatra with Tommy Dorsey, Helen O'Connell and Bob Eberly with Jimmy Dorsey, Ella Fitzgerald with Chick Webb, Billie Holiday and Jimmy Rushing with Count Basie, Dick Haymes and Helen Forrest with Harry James, Doris Day with Les Brown,[40] and Peggy Lee with Benny Goodman. In the 1950s, a smooth style of "West Much like the stock in Gumbo, it provides an essential rhythmic and harmonic element in swing music. Asthe name of that sound suggests, Count Basie played in Kansas City. While bassists can use a bow to vibrate the strings, swing band bassists will frequently pluck the strings instead. 6 Steps to Big Band Writing with Steven Feifke. the following instruments: The Count Basie played a relaxed, propulsive swing, Bob Crosby (brother of Bing), more of a dixieland style,[39] Benny Goodman a hard driving swing, and Duke Ellington's compositions were varied and sophisticated. Dance bands had made phonograph records since the days of ragtime. During the 1930s, Earl Hines and his band broadcast from the Grand Terrace in Chicago every night across America. As swing developed, the second player became responsible for most of the jazz solos. These smaller groups would play during intermissions of the larger band. Ellington expanded Armstrong's small Check them out, though Im sure you would already recognise many of them. performing at the same time. There was a quality to her voice that fascinated me, and Id sing along with her, trying to catch the subtle ways she shaded her voice, the casual yet clean way she sang the words., A lot of singers think all they have to do is exercise their tonsils to get ahead. Four trombones comprised the trombone section. Ellington, Duke Kennedy. In the 1970s, popular fusion groups included BLOOD, SWEAT & TEARS, CHICAGO, and SANTANA Ornette Coleman in the 1960s. during the World War II years. The music business suffered during the Great Depression. The most basic element of a song is also one of the most important a good rhythm. Many of the better known bands reflected the individuality of the bandleader, the lead arranger, and the personnel. She recorded with various jazz orchestras, including her own (Long Gone Blues, 1939) and those led by Benny Goodman (Your Mothers Son-in-Law, 1933) and Teddy Wilson (Sugar, 1939). A unique feature of this style was the use of riffs performed as call and response between woodwinds and brass as an integral part of the arrangement heard in Bennie Motens Moten Swing (1932) and Count Basies One OClock Jump (1937). Drummer Chick Webb (19091939) was admired for his forceful sense of swing, accurate technique, control of dynamics, and use of breaks and fills. Music is My Mistress. The Music . 3. Her vocal command expanded to an unusual range of four octaves, and she is best known for her melodic approach to scatting. clip on the basic jazz rhythm section. Swing bands featured a large ensemble of The Cotton Club, Harlem, New York City, early 1930s. The rhythm section would typically include piano, string bass, drum set, with occasional additions of guitar or other chordal/melody instruments. Starting in the early 1900s, various jazz and traditions have early style of "Hot Jazz" made its way north to Chicago and east to Hammond, John. Orchestra. uses "call and response" Many bands featured strong instrumentalists whose sounds dominated, such as the clarinets of Benny Goodman and Artie Shaw, the trombone of Jack Teagarden, the trumpet of Harry James, the drums of Gene Krupa, and the vibes of Lionel Hampton. such works incorporate certain elements of the jazz tradition, there is not even %PDF-1.5
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"Call and Response" was a common musical device. The most prominent features of big band swing were the use of written arrangements and improvised solos, repetitive horn riffs, call and response between the brass and reed sections, and a rhythmic drive derived from walking and/or boogie-woogie type bass lines. Carnegie Hall in New York City presented Benny Goodman jazz concerts for the first time in 1938. sense means to merge styles together. (, : This can be best described as "composing and Swing bands featured sections of trumpets, saxophones, and trombones The invention of ______ helped the record industry to recover in the mid-1930s. Jazz Big Band Arrangements. is America's Many musical styles contributed to its birth. He toured in many parts of the world and was also commissioned to record classical compositions. Tenor saxophonist Lester Young (19091959) had a different approach than Hawkins and used a lighter tone. West Side Story. and His Mother Called Him Bill, featured "Blood Count" and "Lotus Blossom," was a tribute album to . [19], It is useful to distinguish between the roles of composer, arranger and leader. Many musicians served in the military and toured with USO troupes at the front, with Glenn Miller losing his life while traveling between shows. of main line "crooners" such as Bing They established independent patterns for the trumpets, trombones, saxophones, and the rhythm section within segments of the arrangement that featured improvised solos. Kenton pushed the boundaries of big bands by combining clashing elements and by hiring arrangers whose ideas about music conflicted. These artists added new instrumentssuch as congas, other percussion instruments, timbales, maracas, and clavesand relied on powerful multi-rhythmic pulses to highlight jazz compositions within the big band as well as the small combo formats. The swing era was the one time that jazz was a truly popular style. Swing is an outgrowth of the 1920s big band traditions in Chicago, Kansas City, and New York City. instruments (one or more: Piano, In the early years of Jazz, and up until the Swing Era, the piano was still very much rooted in the rhythm section of the band. jazz techniques into a more heavily-arranged "big-band" white swing exemplifies many of the most innovative aspects of this new jazz style: (1) It When the trumpets and saxophones are combined in a musical accompaniment, they can lead a vibrant and multi-toned swing melody. syllables). Southwest bands offered a different solution to big band improvisational structures. Trumpets feature a hollow brass tube that is doubles back on itself twice. . (Click on the titles of the pieces In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. Trumpets A prominent feature of swing music is a leading brass section, which is often provided by a trumpet. The Henderson band is considerably larger than most syncopated dance bands of the 1920s (eight or nine musicians). interacts with the bass and drums, and how the beat is divided up in complex Swing bands featured orchestras with sections of trumpets, saxophones, and _________________. It is usually played by big band ensembles that use a rhythm section with drums, bass, sometimes a guitar, and almost always a piano, a brass section of trumpets and trombones, and a reed section of saxophones and clarinets. Thats what makes it stand out. [27] Each iteration, or chorus, commonly follows twelve bar blues form or thirty-two-bar (AABA) song form. the late 1950s led to the more daring experiments of "free jazz" by Ellington allowed individuals to retain their own identities and to expand and explore their own directions. The swing style developed in the 1930s and continued to be popular throughout the 1940s and beyond as a distinctive genre. New York in the late 1920s. '20s," "HOT" JAZZ Don Ellis, an excellent trumpet player and drummer, is influenced by music from India. Loops are played at 120 and 125 bpm. This would go back and forth a number of times. highly-improvisatory new style of jazz called "Bebop" was developed Swing band music was organized in homophonywhere two or more instruments played similar or complementary lines. The stage was set up with five saxophones, two altos, two tenors, and one baritone, stage front left with four trombones directly behind them, and three trumpets at the back, the electric guitar was in center stage with . A large string instrument with an extremely low pitch, the Double Bass is a staple of most swing bands. In Harlem, the creative and literary arts, Black musicals, and big band entertainment flourished within the movement known as the Harlem Renaissance, in which music played as great or possibly a greater role than literature. collectively . Pianist and vocalist Sarah Vaughan also influenced many singers. New York was an important geographic area for the developments leading toward the swing style of jazz. Big bands of today are not all from an earlier era. When it comes to swing music, keyboards are typically used as a harmonic element. A. Rolfe, Anna Mae Winburn, and Ina Ray Hutton.[35]. jw7(W3;TEd5SOBmlyb./hh IOQ,+B}I\fT-q\ dJ(0!GF>B)- |0~J;:AC*: Y3[.(&=>:UU5aH@ZLLEc))3c.mcX=ia&1cy]aE~9CB7L_ of many things they must think about while they are playing. While all my lessons are free, if you find them useful please consider donating to help keep them coming. L6G9MTRv&hVSOC9Y)~06CW)j#8qE#C?YOK%d\SC9IT~U {J;F\m`F># the 1930s, famed jazz pianists Edward "Duke" of jazz As I said before, Swing music is played by Big Bands. (adsbygoogle = window.adsbygoogle || []).push({});
. Other swing bands in New York City and beyond incorporated the defining elements associated with the Kansas City tradition to which they added their own stamp, as did Chick Webb and His Orchestra (Stomping at the Savoy, 1934), and Lionel Hampton and His Orchestra (Flying Home, 1942). (who are noted for their blending of Afro-Cuban jazz elements within a - The ANDREWS SISTERS: The Boogie-Woogie Bugle Boy Holiday crossed musical genres, singing jazz, blues, and pop while keeping her individual singing style. Beside her vocal timbre, her unique style delayed the placement of words and phrases compared with the musical pulse, producing a behind-the-beat effect that became her trademark. But there were a few instrumental popular hits, such as Count Basie's "One O'Clock Jump" and Miller's "In the Mood." 3. So the Swing Era was during the Depression and it acted as a kind of counter-statement or rebellion against the unemployment and misery that the Depression caused. [48][49][50] Big band remotes on the major radio networks spread the music from ballrooms and clubs across the country during the 1930s and 1940s, with remote broadcasts from jazz clubs continuing into the 1950s on NBC's Monitor. leaders in America. harmony, structure and instrumentation. 20th-century popular music and culture. baritone saxophone. It was all about showmanship which is epitomised by people like Cab Calloway and Fats Waller. Concert The genre was gradually absorbed into mainstream pop rock and the jazz rock sector.[45]. The "white" bands of Benny Goodman, Artie Shaw, Tommy Dorsey, Shep Fields and, later, Glenn Miller were more popular than their "black" counterparts from the middle of the decade. often feature virtuoso performers, on New York: Oxford University Press, 1997. Louis ARMSTRONG (1900-1971): Hotter Than That (1927). black jazz musicians developed an intense A standard big band consists of saxes, trumpets and trombones with a rhythm section. serene style of "cool jazz" became the rage on the west coast. He was the recipient of a Fulbright Lecturing/Research Fellowship in Japan, where he taught courses in African American History and researched the history of jazz in Japan. In the fifties, the emergence of rock-and-roll would capture broad attention as jazz moved in new artistic directions. This pattern reinforced the second and fourth beat of every measure and later became known as a back beat. Additionally, the drummer accommodated the improvisations of soloists, providing a non-intrusive, laid-back swing pattern. (As told to Albert Murray). [4] While most big bands dropped the previously common jazz clarinet from their arrangements (other than the clarinet-led orchestras of Artie Shaw and Benny Goodman), many Duke Ellington songs had clarinet parts,[5] often replacing or doubling one of the tenor saxophone parts; more rarely, Ellington would substitute baritone sax for bass clarinet, such as in "Ase's Death" from Swinging Suites. - jukebox Which changes occurred in the rhythm section during the 1930s? From three to five plyers on each instrument might be used. His bebop collaborations with trumpeter Dizzy GILLESPIE are some of the greatest moments in music history. hmk6^/,$mA% Byron Almen, Dorothy Payne, Stefan Kostka. "C" Jam Blues (1942). premiered. [37] As jazz migrated from its New Orleans origin to Chicago and New York City, energetic, suggestive dances traveled with it. freedom vs. chaos. But you also need to inject your style and personality into the music you make. %%EOF
Lead players (alto sax 1, trombone 1 and trumpet 1) should be in the middle of their sections, in a direct line with one another. The Henderson band is considerably larger than most syncopated dance bands of the 1920s (eight or nine musicians). endstream
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One of the most common forms used in jazz until you reach The score indicated a fixed number of measures for solo improvisation and also musical notations with the desired sounds and effects. The major "black" bands of the 1930s included, apart from Ellington's, Hines's and Calloway's, those of Jimmie Lunceford, Chick Webb, and Count Basie. daring arrangements of classic jazz tunes. Keyboards are the swing band equivalent of rice in Gumbo. Duke Ellington wrote a song in 1931 titled It Dont Mean a Thing (If It Aint Got That Swing), and for a generation of music lovers those were words to live by. basic chord progression of a 12-bar blues in the key of "C". They provide the base, the foundation on which the rest of the music can thrive. piece several times, but the most famous is from 1942, with the following style, boogie-woogie was born. Whiteman increased the size of his band into nearly symphonic proportion. For the sentence below, write prepositional phrase and underline the preposition. in its strictest Swing did not always swing but rather involved jazz performers doing a jazz interpretation of pretty ballads. the following instruments: In 1925, bandleader Paul Whiteman In The swing era represented the pinnacle of jazzs popularity. The successful bands of the Swing Era featured carefully composed arrangements that held many talented players together. "Fusion" in its strictest The embellishments gradually became more adventurous, but they were generally always played with the melody in mind. However, jazz continued its artistic evolution as swing became established around 1929. The Swing Era: The Development of Jazz, 19301945. 2. The composer writes original music that will be performed by individuals or groups of various sizes, while the arranger adapts the work of composers in a creative way for a performance or recording. With the exception of Jelly Roll Morton, who continued playing in the New Orleans style, bandleaders paid attention to the demand for dance music and created their own big bands.
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